Search results
Results from the WOW.Com Content Network
It describes Jesus's disciples as branches of himself. The Moskos version Christ the Vine is an identical copy of a painting in the Byzantine and Christian Museum identified by historians as a mid-16th-century icon created by an unknown artist. [2] The Moskos version is located at the Benaki Museum in Athens, Greece. [3] [4] [5]
His icon was the framework for later painters of the maniera greca. Moskos painted his own version and significantly refined it. Emmanuel Tzanes painted his own version around the same period. The Moskos version is located at the Icon Museum in Recklinghausen, Germany. It was formerly part of the Minken Collection in London. [2] [3]
Charles Constantine Moskos, Jr. (May 20, 1934 – May 31, 2008) was an American sociologist of the United States military and a professor at Northwestern University. Described as the nation's "most influential military sociologist" by The Wall Street Journal , Moskos was often a source for reporters from The New York Times , The Washington Post ...
Moskos is a surname. Notable people with the surname include: Charles Moskos (1934–2008), American sociologist; Daniel Moskos (born 1986), American baseball player; Elias Moskos (1620/1629–1687), Greek educator, shipping merchant, and painter
[3] [4] Proto-Renaissance painter Fra Angelico completed a version of the theme around 1432 called Death and the Assumption of the Virgin. Greek painters employed a common technique during the early Cretan School following the traditional lines of Greek Italian Byzantine painting.
3. Options for a popular drink. 4. These words are preceded by a common male title/honorific (usually reserved for adult men). Related: 300 Trivia Questions and Answers to Jumpstart Your Fun Game ...
Of course, nobody knows for sure what’s coming, but experts have predictions as to how President-elect Donald Trump’s policies might affect the economy and your personal finances.
The height is 91 cm (35.8 in) and the width is 70 cm (27.5 in). The work was completed in 1711. The first record of the icon was in 1742. The painting was mentioned in later catalogs namely 1904 and 1949. It was characterized as the work of Ioannis Moskos, the 1949 catalog also authenticated his