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"In the Garden" (sometimes rendered by its first line "I Come to the Garden Alone" is a gospel song written by American songwriter C. Austin Miles (1868–1946), a former pharmacist who served as editor and manager at Hall-Mack publishers for 37 years.
Charles Austin Miles (January 7, 1868 – March 10, 1946) was a prolific American writer of gospel songs, who is best known for his 1912 hymn "In the Garden". He studied at the Philadelphia College of Pharmacy and the University of Pennsylvania. In 1892, he ceased to practice as a pharmacist. His first gospel song, "List!
"In the Garden" (1912 song), a 1912 gospel song by Charles Austin Miles "In the Garden" (Van Morrison song), from the 1986 album No Guru, No Method, No Teacher "In the Garden", a song by Bob Dylan from the 1980 Saved
The lyrics of "In the Garden" contain a line which gives the album its name: "No Guru, no method, no teacher/ Just you and I and nature/And the Father in the garden." Some of the words also fall back to Astral Weeks territory with mentions of "childlike visions", "into a trance" from the song, " Madame George " and "in the garden wet with rain ...
Precious Memories is the thirteenth studio album and the first gospel album by American country music artist Alan Jackson. It was released on February 28, 2006 on the Arista Nashville label. This project began at The Rukkus Room Recording Studios when Alan Jackson recorded a song for his Father-In-Law’s funeral.
Franklin was a musical prodigy that changed the world. Franklin was born on Jan. 26, 1970, in Fort Worth and was raised by a great-aunt. Even at a young age, people in church knew there was ...
SoftlyAndTenderly "Softly and Tenderly" is a Christian hymn.It was composed and written by Will L. Thompson in 1880. [1] It is based on the Bible verse Mark 10:49. [2]Dwight L. Moody used "Softly and Tenderly" in many of his evangelistic rallies in America and Britain.
Homer Rodeheaver, circa 1910–1915. Rodeheaver—called "Rody" by associates and reporters alike—had a genial, extroverted personality. Although he was not ignorant or unappreciative of classical and traditional sacred music, Rodeheaver enjoyed and promoted lively new gospel songs among Sunday's congregations.
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