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Dialogue, in literature, is conversation between two or more characters. [1] If there is only one character talking, it is a monologue. Dialogue is usually identified by use of quotation marks and a dialogue tag, such as "she said". According to Burroway et al.,
In the 1200s, Nichiren Daishonin wrote some of his important writings in dialogue form, describing a meeting between two characters in order to present his argument and theory, such as in "Conversation between a Sage and an Unenlightened Man" (The Writings of Nichiren Daishonin 1: pp. 99–140, dated around 1256), and "On Establishing the ...
Wilde presents the essay as a Socratic dialogue between two characters, Vivian and Cyril, who are named after his own sons. [1] Their conversation, while playful and whimsical, promotes Wilde's view of Aestheticism over Realism. [2] [3] Vivian tells Cyril of an article he has been writing called "The Decay of Lying: A Protest". According to ...
Actor Christopher Walken performing a monologue in the 1984 stage play Hurlyburly. In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience.
It consists entirely of dialogue between two characters. Bisson's website hosts a theatrical adaptation. [2] A film adaptation won the Grand Prize at the Seattle Science Fiction Museum's 2006 film festival. [3]
It is written in the form of an alliterative poem, but is also a play, being mainly a dialogue between two characters in the aftermath of the Battle of Maldon. The work was accompanied by two essays, also by Tolkien, one before and one after the main work. The work, as published, was thus presented as:
Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters. It typically features repetition and antithesis. [3]
Galilei's Dialogue Concerning the Two Chief World Systems compares the Copernican model of the universe with the Aristotelian. Matteo Ricci. Ricci's The True Meaning of the Lord of Heaven (天主實義) is a Socratic dialogue between Ricci and a Chinese scholar, where Ricci argues that Christianity and Confucianism are not opposed to each other.