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  2. Category:Doo-wop songs - Wikipedia

    en.wikipedia.org/wiki/Category:Doo-wop_songs

    Pages in category "Doo-wop songs" The following 86 pages are in this category, out of 86 total. This list may not reflect recent changes. 0–9. 16 Candles (song) A.

  3. Timeless (Meghan Trainor album) - Wikipedia

    en.wikipedia.org/.../Timeless_(Meghan_Trainor_album)

    [24] [a] The album predominantly has a doo-wop and bubblegum pop sound, [26] [27] with club beats and influences of dance-pop and R&B. [ 20 ] [ 28 ] Benjamin Jack of Sputnikmusic described its predominant style as "doo-wop infrastructure charged with modern pop hallmarks", [ 26 ] while Riff ' s Mike DeWald thought it is strictly embedded in pop ...

  4. Oldies - Wikipedia

    en.wikipedia.org/wiki/Oldies

    Oldies is a term for musical genres such as pop music, rock and roll, doo-wop, surf music, broadly characterized as classic rock and pop rock, from the second half of the 20th century, specifically from around the mid-1950s to the 1980s, as well as for a radio format playing this music.

  5. Rock and roll revival - Wikipedia

    en.wikipedia.org/wiki/Rock_and_roll_revival

    In 1977 and 1978, British band The Darts scored three top-10 singles on the UK charts with covers of early rock/doo-wop oldies. The popularity of the movement peaked with the release of the George Lucas film, American Graffiti, in 1973, with the soundtrack featuring rock and doo-wop hits from the late 1950s and early 1960s. By the mid-1970s ...

  6. Doo-wop - Wikipedia

    en.wikipedia.org/wiki/Doo-wop

    Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.

  7. The Earls - Wikipedia

    en.wikipedia.org/wiki/The_Earls

    The Earls are one of the New York City doo-wop success stories. [3] Discovered singing on the street corner in front of subway station, the Earls took the original black doo-wop street corner harmony sound, and refined and expanded it for new audiences. The Earls were known for their "Baby Talk" styling of their background harmony riffs.

  8. The Del-Satins - Wikipedia

    en.wikipedia.org/wiki/The_Del-Satins

    In 1991, Stan Zizka formed a new version of the Del-Satins for nostalgia shows, and recorded an album, Still Wandering. [2] Zizka then formed his own band, Tangerine, before re-forming the Del-Satins with Charlie Aiello, Art Loria and Edye VanBuren in 1993. The group appeared regularly on the oldies circuit, and the album was sold at performances.

  9. The Dovells - Wikipedia

    en.wikipedia.org/wiki/The_Dovells

    The Dovells were an American doo-wop group, formed at Overbrook High School in Philadelphia in 1957, under the name 'The Brooktones'. [1] The original members were Arnie Silver, Len Borisoff, Jerry Gross (alias Summers), Mike Freda, and Jim Mealey (alias Danny Brooks). Their first single "No, No, No" was a local hit for The Brooktones.