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The dogs of war is a phrase spoken by Mark Antony in Act 3, Scene 1, line 273 of English playwright William Shakespeare's Julius Caesar: ... Text is available under ...
The quote appears in Act 3 Scene 1 of William Shakespeare's play Julius Caesar, [1] where it is spoken by the Roman dictator Julius Caesar, at the moment of his assassination, to his friend Marcus Junius Brutus, upon recognizing him as one of the assassins.
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare. Occurring in Act III, scene II, it ...
Within the Tent of Brutus: Enter the Ghost of Caesar, Julius Caesar, Act IV, Scene III, a 1905 portrait by Edwin Austin Abbey. The Tragedy of Julius Caesar (First Folio title: The Tragedie of Ivlivs Cæsar), often shortened to Julius Caesar, is a history play and tragedy by William Shakespeare first performed in 1599.
Cry 'Havoc!', and let slip the dogs of war" is a quotation from William Shakespeare's play Julius Caesar (Act 3, Scene 1). The phrase "cry havoc" also appears in two other Shakespeare plays, Coriolanus (Act 3, Scene 1) and King John (Act 2, Scene 1). Cry havoc may refer to: Cry 'Havoc', a 1943 war drama; Cry Havoc (1981 board game)
The Assassination of Julius Caesar is a 1888 painting by William Holmes Sullivan which depicts the assassination of Julius Caesar at the hands of his fellow senators. The painting, like Sullivan's other works, is based on Shakespare's play the Tragedy of Julius Caesar, depicts the Act III, Scene 1, and is placed in the Royal Shakespeare Theatre.
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
The Mercury Theatre production of Julius Caesar, the scene in which Julius Caesar (Holland, center) addresses the conspirators including Brutus (Orson Welles, left). Holland made his professional stage debut in London while a student at RADA as George Patterson in Howard Irving Young's The Drums Begin at the Embassy Theatre in April 1934. [5]