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One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
Instructs one section to divide into two or more separate sections, each playing a separate part. Often these separate parts are written on the same staff. Oppure: from o ("or") + pure ("also") Informs the player of alternative ways to play a passage. See Ossia. Solo: alone: A piece or performance to be played by a single musician Sole: Group solo
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In music, an instrumental solo piece (from the Italian: solo, meaning alone) is a composition, like an étude, solo sonata, partita, solo suite or impromptus, or an arrangement, written to be played by a single performer. [1] The performer is called a soloist. The instrumental solo pieces can be monophonic or polyphonic.
The piano is often used to provide harmonic accompaniment to a voice or other instrument.However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied.
A tie is a curved line above or below two notes of the same pitch, which indicates that they are to be performed like one note equal in length to the two. [1] A writer in 1901, said that the following definition is preferable to the previous:
The term side-slipping or side-stepping has been used to describe several similar yet distinct methods of playing outside. In one version, one plays only the five "'wrong'" non-scale notes for the given chord and none of the seven scale or three to four chord tones, given that there are twelve notes in the equal tempered scale and heptatonic scales are generally used. [3]