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(without G.P.: Play ⓘ) A fermata (Italian: [ferˈmaːta]; "from fermare, to stay, or stop"; [2] also known as a hold, pause, colloquially a birdseye or cyclops eye, or as a grand pause when placed on a note or a rest) is a symbol of musical notation indicating that the note should be prolonged beyond the normal duration its note value would ...
One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Franz Liszt composed an Impromptu in F sharp (sometimes called Nocturne) and a piano piece named Valse-Impromptu. Alexander Scriabin is known to have written at least nine impromptus for the piano in his early period. Jean Sibelius composed six impromptus for piano op. 5 (1893)
One of the most important composers in the development of the fantasia was Jan Pieterszoon Sweelinck. His greatest work in this style is the fantasia cromatica (a specific form called " chromatic fantasia "), which in many ways forms a link between the Renaissance and the Baroque .
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Jeux d'eau (pronounced [ʒø do]) is a piece for solo piano by Maurice Ravel, composed in 1901 and given its first public performance the following year. The title is variously translated as "Fountains", "Playing Water" or literally "Water Games". At the time of writing Jeux d'eau, Ravel was a student of Gabriel Fauré, to