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Although originally an oral tradition, the genre was incorporated into longer poems, epics and narratives by a number of Indian poets [8] across major Modern Indo-Aryan languages including—Hindi, Urdu, Bengali, Gujarati, Rajasthani languages, Bihari languages, Punjabi etc., and can be found in the folk poetry of the tribal people too.
Suryakant Tripathi (21 February 1899 – 15 October 1961) was an Indian poet, writer, composer, and sketch artist who wrote in Hindi. He is considered one of the four major pillars [a] of the Chhayavad period in Hindi literature. He is renowned with the epithet Mahāprāṇ [b] and his pen name Nirālā [c]. [1]
The Satasai (Satsai) or Bihari Satsai (Seven Hundred Verses of Bihari) is a famous work of the early 17th century by the Hindi poet Bihārī, in the Braj Bhasha dialect of Hindi spoken in the Braj region of northern India. [1] It contains Dohas, or couplets, on Bhakti (devotion), Neeti (Moral policies) and Shringara (love). [citation needed]
Prasad started writing poetry with the pen name of ‘Kaladhar’. The first collection of poem that Prasad penned, named, Chitradhar, was written in Braj dialect of Hindi but his later works were written in Khadi dialect or Sanskritized Hindi. [5] Later on Prasad promulgated ‘Chhayavad’, a literary trend in Hindi literature.
Vyākaraṇa (IPA: [ʋjaːkɐrɐɳɐ]) means "separation, distinction, discrimination, analysis, explanation" of something.[9] [10] [11] It also refers to one of the six Vedāngas, or the Vedic field of language analysis, specifically grammatical analysis, grammar, linguistic conventions which creates, polishes, helps a writer express and helps a reader discriminate accurate language.
Gajanan Madhav Muktibodh (13 November 1917 – 11 September 1964) [1] was one of the most prominent Hindi poets, essayists, literary and political critics, and fiction writers of the 20th century. [2] Muktibodh is widely regarded as a pioneer of modern Hindi poetry in India along with Surya Kant Tripathi 'Nirala'.
Statue of Patañjali, its traditional snake form indicating kundalini or an incarnation of Shesha. The Yoga Sutras of Patañjali (IAST: Patañjali yoga-sūtras) is a compilation "from a variety of sources" [1] of Sanskrit sutras on theories and practices of yoga – 195 sutras (according to Vyāsa and Krishnamacharya) and 196 sutras (according to others, including BKS Iyengar).
Supplementing these are two consonants that are internal developments in specific word-medial contexts, [21] and seven consonants originally found in loan words, whose expression is dependent on factors such as status (class, education, etc.) and cultural register (Modern Standard Hindi vs Urdu).