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A medieval instrument, labeled nagaveena (snake veena), is a type of musical scraper. Chigggjha – fire tong with brass jingles; Chengila – metal disc; Eltathalam; Gegvrer – brass vessel; Ghaynti – Northern Indian bell; Ghatam and Matkam (Earthenware pot drum) Ghunyugroo; Khartal or Chiplya; Manjira or jhanj or taal; Nut – clay pot ...
The instrument which corresponds to the violin in the violin octet is the mezzo violin, tuned the same as a violin but with a slightly longer body. The strings of the ...
The Mardala is a percussive instrument native to the state of Odisha. It is traditionally used as the primary percussive instrument with Odissi music. [2] The Mardala is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique. [21]
The instruments depicted by Ferrari have bulging front and back plates, strings that feed into peg-boxes with side pegs, and f-holes. They do not have frets. The only real difference between those instruments and the modern violin is that Ferrari's have three strings and a rather more extravagant curved shape. [ 17 ]
Although the instrument comes with a certificate from Simone F. Sacconi attributing it to the Brothers Amati circa 1620, both Charles Beare and Jacques Francais believe it to be a work of Andrea Amati, possibly completed by the Brothers Amati, in which case its date would be closer to 1580.
Mardala (Odia: ମର୍ଦ୍ଦଳ, romanized: Mardaḷa, Odia: [mɔrd̪d̪ɔl̪ɔ] ⓘ) is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music.
The instrument's name is derived from bägänä, "to buzz, pluck, play;" it is etymologically related to the Hebrew נגנ (nagan), "touch/play [a stringed instrument]." [ 3 ] [ 4 ] Oral tradition identifies the instrument with the kinnor of the Israelites played by David to soothe King Saul 's nerves and heal him of insomnia , and later ...
The dhak is a huge membranophone instrument from Bengal and Assam. [1] The shapes differ from the almost cylindrical to the barrel. The manner of stretching the hide over the mouths and lacing also varies. It suspended from the neck, tied to the waist and kept on the lap or the ground, and usually played with wooden sticks.