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C-sharp major is a major scale based on C ... "The Recognition of Major and Minor Keys in German Theory: 1680–1730". Journal of Music Theory. 22 (1).
For instance, in a chromatic scale each scale step represents a semitone interval, while a major scale is defined by the interval pattern W–W–H–W–W–W–H, where W stands for whole step (an interval spanning two semitones, e.g. from C to D), and H stands for half-step (e.g. from C to D ♭).
According to Reise, all scales (including the 9-note scale of the Poème Op. 71 No. 1) either resolve or impliy resolution to the octatonic or whole scales. Matthew Bengtson writes, “...the mystic chord acts as a kind of mediator, a convenient means of transit, hovering, as in mid-air, between the whole-tone and octatonic harmonic worlds." [10]
Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are major scales and the three forms of minor scales. [2] Chords may also be borrowed from other parallel modes besides the major and minor mode, for example D Dorian with D major. [ 1 ]
In most cases, a sharp raises the pitch of a note one semitone while a flat lowers it one semitone. A natural is used to cancel the effect of a flat or sharp. This system of accidentals operates in conjunction with the key signature, whose effect continues throughout an entire piece, or until another key signature is indicated.
Even so, Johannes Brahms still felt the need to rewrite his C-sharp minor piano quartet in C minor, which was published as Piano Quartet No. 3 in C minor, Op. 60. [citation needed] The last intermezzo from his Three Intermezzi for piano, Op. 117 is in C-sharp minor. Alkan composed the second movement (Adagio) for Concerto for Solo Piano in C ...
A piece in a major key might modulate up a fifth to the dominant (a common occurrence in Western music), resulting in a new key signature with an additional sharp. If the original key was C-sharp, such a modulation would lead to the theoretical key of G-sharp major (with eight sharps) requiring an F in place of the F ♯. This section could be ...
The seventh scale degree is very often raised a half step to form a leading tone, making the dominant chord (V) a major chord (i.e. V major instead of v minor) and the subtonic chord (vii), a diminished chord (vii o, instead of ♭ VII). This version of minor scale is called the harmonic minor scale.