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Altobello Melone – The Road to Emmaus, c. 1516–17. N. T. Wright considers the detailed narration of the Emmaus journey in Luke 24:13–35 [4] as one of the best sketches of a biblical scene in the Gospel of Luke. [5] Jan Lambrecht, citing D. P. Moessner, writes: "the Emmaus story is one of Luke's 'most exquisite literary achievements'."
Paolo Veronese's Supper at Emmaus is a large 241×415 cm (8×14 feet) oil painting on canvas. [1]It depicts the biblical Gospel story of the resurrected Christ appearing on the road to Emmaus – and being finally recognized by two of his disciples who were on a pilgrimage to Emmaus, as he blesses the bread at a meal they had invited him, an apparent stranger, to. [2]
The painting depicts the moment when the resurrected but incognito Jesus reveals himself to two of his disciples (presumed to be Luke and Cleopas) in the town of Emmaus, only to soon vanish from their sight (Gospel of Luke 24: 30–31). Cleopas wears the scallop shell of a pilgrim. The other apostle wears torn clothes.
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Supper at Emmaus (1606) is a painting by the Italian master Caravaggio, housed in the Pinacoteca di Brera (Sala XXIX Archived 2013-10-23 at the Wayback Machine), Milan.. In the collection of Marchese Patrizi by 1624 and possibly commissioned by him, references by Caravaggio's early biographers Giulio Mancini and Giovanni Bellori suggest it was painted in the few months after May 1606 when the ...
Bill Hutto and Joshua Rieff, who say that is the main lesson in the story of the Road to Emmaus in Luke 24:13-35 and Mark 16:12-13 where the disciple Cleopas and an unidentified disciple are ...
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