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Caribbean Currents: Caribbean Music from Rumba to Reggae (2nd edition). Temple University Press, 2006. ISBN 1-59213-463-7. {}: CS1 maint: multiple names: authors list ; Manuel, Peter (2000). East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000.
Dhantal sizes can range anywhere from 3' to 6' in length and 3/8" to 1/2" in diametre. The dhantal is an important instrument in Indo-Caribbean music styles, such as Chutney, Baithak Gana and Taan Singing.
This was a breakthrough for East Indian Caribbean music, but the fame was short lived. Chutney music exploded again in 1968 with the female singer Dropati, who released an album entitled Let's Sing & Dance, made up of traditional wedding songs. These songs became huge hits within the Indo-Caribbean community.
Caribbean Currents: Caribbean Music from Rumba to Reggae. Philadelphia: Temple University Press. ISBN 1-56639-338-8. Manuel, Peter (2000). East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000. ISBN 1-56639-763-4. Scholtens, Ben (1994). Bosneger en overheid in Suriname.
East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000. ISBN 1-56639-763-4. "The African Folk Music Tradition from Guyana: A Discourse and Performance". Brown Bag Colloquium Series 2003–2004. Seals, Ray. "The Making of Popular Guyanese Music"
Shorty experimented with fusing calypso and elements of Indo-Caribbean music for nearly a decade before unleashing "the soul of calypso" – soca music. Chutney soca's development as a musical genre included its fusion with calypso and Indian musical instruments – particularly the dholak, tabla and dhantal – as demonstrated in Lord Shorty's ...
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The country is a second home for many of the pan-Caribbean genres of popular music, and has produced stars in calypso, soca, steeldrum, zouk and reggae. Of these, steeldrum and calypso are the most integral parts of modern Antiguan popular music; both styles are imported from the music of Trinidad and Tobago .