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Grace Slick (born Grace Barnett Wing; October 30, 1939) [1] is an American retired musician and painter whose musical career spanned four decades. She was a prominent figure in San Francisco 's psychedelic music scene during the mid-1960s to the early 1970s.
Jefferson Airplane in 1966. Clockwise from top left: Jack Casady, Grace Slick, Marty Balin, Spencer Dryden, Paul Kantner and Jorma Kaukonen. Jefferson Airplane was an American psychedelic rock band from San Francisco, California.
Conspicuous Only in Its Absence is a live album by the American psychedelic rock band the Great Society, released in 1968 by Columbia Records. [1] It was their first album released and consists of recordings made during a live concert performance by the band at The Matrix club in San Francisco in 1966. [2]
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1967 trade ad for the single "White Rabbit" is one of Grace Slick's earliest songs, written from December 1965 to January 1966. [12] It uses imagery found in the fantasy works of Lewis Carroll — 1865's Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass — such as changing size after taking pills or drinking an unknown liquid.
Best known as the original group of model-turned-singer Grace Slick, the initial lineup of the band also featured her then-husband Jerry Slick on drums, his brother Darby Slick on guitar, David Miner on vocals and guitar, Bard DuPont on bass, and Peter van Gelder on flute, bass, and saxophone. Miner and DuPont did not remain with the band for ...
[1] [10] Most reviewers noted that the album would predominantly be of interest to fans of Grace Slick and Jefferson Airplane or connoisseurs of the San Francisco Bay Area acid rock scene. [ 1 ] [ 10 ] Many of the tracks found on Born to Be Burned were later included on the Big Beat Records ' compilation album, Someone to Love: The Birth of the ...
Welcome to the Wrecking Ball! is Grace Slick's 1981 follow-up to her solo album Dreams (1980). Her third solo album, it was released before stepping back into her old position in Jefferson Starship. The lyrics of the first track include numerous references to Slick's dislike of rock journalists and critics. The album rose to #48 on the ...