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1400: Bernardo Martorell – Spanish painter, working in a late gothic style (died 1452) 1400: Luca della Robbia – Italian sculptor from Florence, noted for his terracotta roundels (died 1482) 1400: Filarete – Florentine Renaissance architect, sculptor and architectural theorist (died 1469)
The earliest is the Heilspiegel Altarpiece of about 1435, which today is mostly in the Kunstmuseum, Basel, and with isolated panels in other collections. The next is the Altarpiece of the Virgin (c. 1440), which has been associated with panels now in Basel, Nuremberg, and Strasbourg ( Saint Madeleine and Saint Catherine , Musée de l'Œuvre ...
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
Baroque – 1600 – 1730, began in Rome . Dutch Golden Age painting – 1585 – 1702; Flemish Baroque painting – 1585 – 1700; Caravaggisti – 1590 – 1650; Rococo – 1720 – 1780, began in France
1967 in art – Death of Edward Hopper, René Magritte, Ad Reinhardt 1966 in art – Death of Alberto Giacometti , Hans Hofmann , Edward Le Bas , The second New York City Armory Show 9 Evenings: Theatre and Engineering sponsored by E.A.T. – Experiments in Art and Technology .
At the time, the piece broke the record for the most expensive piece of art ever auctioned. Read: Breathtaking Sights Around the World You Can See for Free Edvard Munch’s ‘The Scream’
Generally, "sculpture of any quality" was more expensive than an equivalent in painting, and when in bronze dramatically so. The painted Equestrian Monument of Niccolò da Tolentino of 1456 by Andrea del Castagno appears to have cost only 24 florins, while Donatello's equestrian bronze of Gattamelata, several years earlier, has been "estimated conservatively" at 1,650 florins.
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