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A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g.,
Example axe blood-ember Blóðeisu: N: Einarr Skúlason, Øxarflokkr 7 battle spear-din N: Snorri Sturluson, Skaldskaparmal: blood dead-slave N: blood battle-sweat One reference for this kenning comes from the epic poem, Beowulf. As Beowulf is in fierce combat with Grendel's mother, he makes mention of shedding much battle-sweat. N: Beowulf ...
With an inexact metaphor, however, a metaphier might have associated attributes or nuances – its paraphiers – that enrich the metaphor because they "project back" to the metaphrand, potentially creating new ideas – the paraphrands – associated thereafter with the metaphrand or even leading to a new metaphor. For example, in the metaphor ...
American singer/songwriter Carolyne Mas has a song titled "King of the U-Turn" that uses an albatross as a metaphor. The rock band Chevelle uses albatross as a metaphor in the song "Face to the Floor". Demon Hunter uses albatross as a metaphor in the song "Cross to Bear". The band Erra uses albatross as a metaphor in the song "Dreamwalkers".
Even as the poem mourns Lincoln, there is a sense of triumph that the ship of state has completed its journey. [76] Whitman encapsulates grief over Lincoln's death in one individual, the narrator of the poem. [77] Cohen argues that the metaphor serves to "mask the violence of the Civil War" and project "that concealment onto the exulting crowds".
Alfred R. Ferguson wrote of the poem, "Perhaps no single poem more fully embodies the ambiguous balance between paradisiac good and the paradoxically more fruitful human good than 'Nothing Gold Can Stay,' a poem in which the metaphors of Eden and the Fall cohere with the idea of felix culpa." [5]
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
The couple metaphor-metonymy had a prominent role in the renewal of the field of rhetoric in the 1960s. In his 1956 essay, "The Metaphoric and Metonymic Poles", Roman Jakobson describes the couple as representing the possibilities of linguistic selection (metaphor) and combination (metonymy); Jakobson's work became important for such French ...