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On October 2, 2020, Atlantic Records announced they would be celebrating the tenth anniversary of Doo-Wops & Hooligans. The music videos of the album were remastered in 4K Ultra HD, and six brand new lyric videos were released. The label also made Doo-Wops & Hooligans merchandise available for purchase for a limited time on Mars's official ...
"In the Still of the Night" is one of two songs that may lay claim to being the origin of the term doo-wop. The plaintive doo wop, doo wah refrain in the bridge has often been suggested as the origin of the term to describe that musical genre. The other contender for the honor is "When You Dance" by the Turbans, in which the chant "doo-wop" can ...
Although none of their original records made the charts, several of their songs have gained recognition over the years and have been included in anthologies such as 25 All-Time Doo-Wop Hits, The Best of Doo-Wop, Doo-Wop Classics, Doo-Wop Treasures, Only the Best of Old Town Records, and Rhino's Doo-Wop Box. [23]
The song was re-recorded by another doo wop group called The Crystals in 1955. [21] This came about because of it being #10 on the regional R&B charts of Cincinnati in December 1954. Syd Nathan who was the owner of Deluxe, a Cincinnati record label, rushed The Crystals, an all-male group, into the studio to record it.
Delaney had had a career in musical comedy and was interested in singing with the group. They started making "demo" recordings of some of the Aquatones' old music. The result was a new CD, released on Debra Records. The CD included performances from the original Aquatones — Dave Goddard, Gene McCarthy and Larry Vannata.
The song is an ode to a girl on her 16th birthday, and it’s one of the most recognizable tracks of the doo-wop era. The 1984 John Hughes movie Sixteen Candles was reportedly taken from the song ...
The original recording of the song remained an enduring hit single for much of the 1950s, and it is now considered to be one of the definitive doo-wop songs. In 2005, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry , deeming it "culturally, historically, or aesthetically important."
Both sides—the harmony-filled "I Only Want You" and the beautiful Billy Dawn Smith ballad "This Is My Love" –vied for radio play and sales throughout the states. [1] They were managed by Jim Gribble, who managed several doo-wop groups including the Mystics and The Jarmels, and worked with producer songwriter Stan Vincent. [2]