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Block diagram of the signal-flow for a common feedback loop. [1]: 118 Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation that may occur when an acoustic path exists between an audio output (for example, a loudspeaker) and its audio input (for example, a microphone or guitar pickup).
An example of a nondirectional microphone is the round black eight ball. ... one of these boundaries, the reflections from that surface have the same timing as the ...
The predecessor of the directional boundary microphone was a directional microphone placed in an Electrovoice Mic Mouse, a foam block that suspended a conventional microphone horizontally just above a surface. Because conventional microphone diaphragms are relatively large (> 1 cm diameter), phase interference from surface sound reflections ...
The lack of reflections in a free field means that any sound in the field is entirely determined by a listener or microphone because it is received through the direct sound of the sound source. This makes the open field a direct sound field. [3] In a free field, sound is attenuated with increased distance according to the inverse-square law. [1]
In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of the reflections gradually reduces to non-noticeable levels.
For example, if a solo instrument within an orchestra needs an extra mic for added volume and presence, placing the mic too close would result in a pickup that sounds overly present, unnatural and out of context with the distant, overall orchestral pickup. To avoid this pitfall, a compromise in distance should be struck.
Dereverberation is the process by which the effects of reverberation are removed from sound, after such reverberant sound has been picked up by microphones. Dereverberation is a subtopic of acoustic digital signal processing and is most commonly applied to speech but also has relevance in some aspects of music processing.
One or more microphones are placed along the length of the room, and these pick up both the sound from the speaker and its reflections off the walls of the chamber. The farther away from the loudspeaker, the more echo and reverberation the microphone(s) picks up, and the louder the reverberation becomes in relation to the source.