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"William, It Was Really Nothing" is a song by the English rock band the Smiths. It was released as a single in August 1984, featuring the B-sides "Please, Please, Please, Let Me Get What I Want" and "How Soon Is Now?", and reached No. 17 in the UK Singles Chart.
Johnny Marr wrote the music to "Please Please Please Let Me Get What I Want" shortly after its eventual A-side, "William, It Was Really Nothing".Marr commented, "Because that was such a fast, short, upbeat song, I wanted the B-side to be different, so I wrote 'Please Please Please Let Me Get What I Want' on Saturday in a different time signature—in a waltz time as a contrast". [9]
Rolling Stone ranked the song as the 14th best Smiths song, [3] while NME named it the band's 16th best. [13] Consequence ranked the song as the band's 28th best, calling it "a testament to The Smiths' power in 1987". [14] Guitar named the song as the band's 20th greatest guitar moment. [15]
The Smiths' "non-rhythm-and-blues, whiter-than-white fusion of 1960s rock and post-punk was a repudiation of contemporary dance pop", [5] and the band purposely rejected synthesisers and dance music. [65] From their second album Meat Is Murder, Marr embellished their songs with keyboards. [64]
In their early years, the band purposely rejected synthesisers and dance music, [10] until Meat Is Murder, which contained keyboards as well as rockabilly and funk influences. [11] The Queen Is Dead was notable for featuring harder-rocking songs with witty, satirical lyrics of British social mores, intellectualism and class. [12]
Steven Patrick Morrissey (/ ˈ m ɒr ɪ s i / MORR-iss-ee; born 22 May 1959), known mononymously as Morrissey, is an English singer and songwriter.He came to prominence as the frontman and lyricist of rock band the Smiths, who were active from 1982 to 1987.
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William Golding [96] "Flower of the Mountain" Director's Cut: Kate Bush: Ulysses: James Joyce: The 1989 Kate Bush song The Sensual World was based on the closing paragraphs of Ulysses. However, the Joyce estate was unwilling to allow direct use of Joyce's words at that time, so she altered the lyrics.