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Green would die in 1970, just a few years before a revival in the popularity of his ragtime xylophone music, and before his induction into the Percussive Arts Society Hall of Fame in 1983 [6] The rebirth of his music was led by members of the NEXUS Percussion Ensemble in the late 1970s. Through their efforts, G.H. Green's xylophone music has ...
Song Books (Solos for Voice 3–92) is a collection of short works by John Cage, composed and compiled by the composer in 1970.It contains pieces of four kinds: songs, songs with electronics, directions for a theatrical performance, and directions for a theatrical performance with electronics.
Like the glockenspiel, the xylophone is a transposing instrument: its parts are written one octave below the sounding notes. [5] Concert xylophones have tube resonators below the bars to enhance the tone and sustain. Frames are made of wood or cheap steel tubing: more expensive xylophones feature height adjustment and more stability in the stand.
It has been proposed that music synthesizers that perform computation, and/or that work by recording and playback of sound samples, or the like, be referred to as quintephones. This class of instrument includes electrophones as a special case. [1]
Sound sample: seven-note scale played on the Ranat ek. The ranat ek (Thai: ระนาดเอก, pronounced [ranâːt ʔèːk], "also xylophone") is a Thai musical instrument in the percussion family that consists of 22 wooden bars suspended by cords over a boat-shaped trough resonator and struck by two mallets.
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They included both music and text and were introduced by an extended essay on the rudiments of singing. Each song was known by the name given to its tune rather than by a title drawn from the text." [1] The following is a partial list of the shape note tunebooks published over the last two centuries. The list is divided according to the two ...
Fantasy on Japanese Woodprints, Op. 211 (1965), is a concerto in one movement written for xylophone and orchestra by the Armenian-American composer Alan Hovhaness. [1] The work was given its world premiere by the Chicago Symphony Orchestra, conducted by Seiji Ozawa, at the Ravinia Festival on July 4, 1965.
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