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The baroque recorder produces a most brilliant and projecting sound in the second octave, which is more facile and extended than that of earlier recorders, while the lowest notes in its range are relatively weak. Composers such as Bach, Telemann and Vivaldi exploit this property in their concertos for the instrument.
An alleged "Opus 13", Il pastor fido (The Faithful Shepherd) was published in 1737 by Jean-Noël Marchand through a secret agreement with Nicolas Chédeville to publish a collection of Chédeville's compositions under Vivaldi's name.
Works for recorder include: By Jacob van Eyck. Der Fluyten Lust-hof, 1644. A collection of about 140 melodies, each with a number of diminutions or variations, for ...
John Baston, (fl. 1708–1739) was an English Baroque composer, recorder player and cellist. He performed in his own ‘interval music’ concertos in London; several of these lively pieces were published as Six Concertos in Six Parts for Violins and Flutes (1729). [1] [2]
Recorder F major c. 1712 1732 Opus 1 No. 11 370: Violin F major 1732 Opus 1 No. 12 Probably spurious 371: Violin D major c. 1749–50 Opus 1 No. 13 This sonata represents Handel's last piece of chamber music. The piece was not published by Walsh; the designation Op 1 No.13 is Chrysander's 372: Violin A major 1732 Opus 1 No. 14 Probably spurious.
A continuous bass was the rule in Baroque music; its absence is worth mentioning and has a reason, such as describing fragility. The specific character of a movement is often defined by wind instruments, such as oboe , oboe da caccia , oboe d'amore , flauto traverso , recorder , trumpet , horn , trombone , and timpani .
H 71063 RAMEAU: Pieces de clavecin an concert (1741) H 71064 BAROQUE MUSIC FOR RECORDERS; H 71065 TELEMANN: Chamber Music with Recorder; H 71066 TELEMANN: 4 Ctos (Tpt; Hns; Oboe d'amore; Vln) H 71067 HAYDN- 2 Ctos for Flute, Oboe, & Orch (Nos 1 & 5) H 71068 MOZART: Concertone for 2 Vlns, K. 190; Symph Concertante, K. 297b; H 71069 JAZZ GUITAR BACH
Jonkheer Jacob van Eyck (/ v æ n ˈ aɪ k / van EYEK, Dutch: [ˈjaːkɔp fɑn ˈɛik]; c. 1590 – 26 March 1657) was a Dutch nobleman, composer and blind musician.He was one of the best-known musicians of the Dutch Golden Age, working as a carillon player and technician, a recorder virtuoso, and a composer.