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A recorder designed for German fingering has a hole five that is smaller than hole four, whereas baroque and neo-baroque recorders have a hole four that is smaller than hole five. The immediate difference in fingering is for F (soprano) or B ♭ (alto), which on a neo-baroque instrument must be fingered 0 123 4–67.
The soprano recorder in C, also known as the descant, is the third-smallest instrument of the modern recorder family and is usually played as the highest voice in four-part ensembles (SATB = soprano, alto, tenor, bass). Since its finger spacing is relatively small, it is often used in music education for children first learning to play an ...
The F alto is a non-transposing instrument, though its basic scale is in F, that is, a fifth lower than the soprano recorder and a fourth higher than the tenor (both with a basic scale in C). So-called F fingerings are therefore used, as with the bassoon or the low register of the clarinet, in contrast to the C fingerings used for most other ...
The sopranino recorder is the second smallest recorder of the modern recorder family, and was the smallest before the 17th century. This modern instrument has F 5 as its lowest note, and its length is 20 cm. It is almost always made from soft European or tropical hardwoods, though sometimes it is also made of plastic. A Baroque style sopranino ...
Important Baroque works composed specifically for the voice flute include the first four suites (in A major, D major, E minor, and B minor) from a set of six with accompaniment of archlute and viola da gamba, published in 1701 by Francis (Charles) Dieupart, [10] a Quintet in B minor for the unusual combination of two voice flutes and two transverse flutes with continuo, attributed to one of ...
Quote "Most recorders are offered with German and Baroque fingering so that a choice must be made at the time of purchase. The most important difference is the fingering for the note F (soprano), B-flat (alto) that at first is easier to finger in the German fingering system (in comparison to the forked fingering of the Baroque system.
In the Baroque period cross-fingering improved, allowing music in an increasing variety of keys, but in the Classical and Romantic periods flute design changes – particularly larger tone holes – made cross-fingering less practical, while mechanical keywork increasingly provided an easy alternative to playing chromatic notes without cross ...
fingering chart. 16th-century illustrations show an instrument which had only a few tone holes, and a very limited range. The intact clay gemshorn, mentioned above, which was found beneath a 15th-century house, had a chromatic range of one octave. Modern makers have often chosen to build them using the Baroque recorder fingering.
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