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People's Republic of China: Baak Doi leaves China in 1952 and relocates to Hong Kong. Mao Zedong and CCP evolved patriotic music into revolutionary music. Hong Kong: Continuation of Shidaiqu in Hong Kong. Republic of China / Taiwan: Development of Taiwanese mandopop. Native Hokkien pop phased out by Kuomintang in favor of mandopop.
China Year: President Republic of China (Taiwan) President People's Republic of China (Mainland China) 1949 Li Zongren (acting): Mao Zedong (Paramount leader: Himself) 1950
Second Manchu invasion of Korea: The Joseon king Injo of Joseon recognized Hong Taiji's Qing dynasty as the legitimate rulers of China. Song Yingxing published the Tiangong Kaiwu. 1638: The Peking Gazette first used moveable type. 1639: Xu Guangqi published a treatise on agriculture. Chen Hongshou arrived in Beijing. 1641: 8 March: Xu Xiake ...
The Chinese monarchs were the rulers of China during Ancient and Imperial periods. [a] The earliest rulers in traditional Chinese historiography are of mythological origin, and followed by the Xia dynasty of highly uncertain and contested historicity. During the subsequent Shang (c. 1600–1046 BCE) and Zhou (1046–256 BCE) dynasties, rulers ...
It was created in the early to mid-20th century, become the dominant genre of music after the Chinese Communist Revolution, and until the 1980s was the main form of music broadcast on radio and television in China.
In the early 20th century after the end of Imperial China, there were major changes to traditional Chinese music as part of the New Culture Movement. Much of what Westerners and even Chinese now consider to be music in the traditional Chinese style can be dated to this period and is in fact less than 100 years old.
Chinese literature during the Song period contained a range of many different genres and was enriched by the social complexity of the period. Although the earlier Tang dynasty is viewed as the zenith era for Chinese poetry (particularly the shi style poetry of Du Fu, Li Bai, Bai Juyi), there were important poetic developments by famous poets of the Song era, with the flourishing of the ci form ...
The term guoyue appeared in various ancient texts and had various different meanings before the 20th century. It was used as early as the Sui-Tang period to refer to court music or yayue. [5] [6] In the Music Record section of History of Liao, it was used to distinguish the music of the Khitan rulers from that of the Han Chinese. [7]