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The Thinker (French: Le Penseur), by Auguste Rodin, is a bronze sculpture situated atop a stone pedestal depicting a nude male figure of heroic size sitting on a rock. He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand.
Image credits: JamesLucasIT Sculpture as an art form dates back to 32,000 years B.C. Back then, of course, small animal and human figures carved in bone, ivory, or stone counted as sculptures.
Their dimensions vary from small statues to giants such as the kouroi of Delos and Samos, and the unfinished colossi of Naxos, the largest of which reach nearly 10 m. Their usual size, however, is the human size or a little smaller. [31] They served various functions, such as cult statues, ex-votos, monuments celebrating athletes, and funeral ...
It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures. Several casts of the work were made, which are now in various locations around the world. Rodin's original plaster model is in the Musée D’Orsay, Paris. The figures range from 15 centimetres (6 in) high up to more than one metre (3 ft).
Sculptures and statues can provide a fascinating insight into the time they were made. And sometimes, they contain little “secrets”—details that reveal the mind of the creator, or just make ...
David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo.With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond.
Hellenistic sculpture represents one of the most important expressions of Hellenistic culture, and the final stage in the evolution of Ancient Greek sculpture. The definition of its chronological duration, as well as its characteristics and meaning, have been the subject of much discussion among art historians, and it seems that a consensus is ...
Many of the portal's figures became sculptures in themselves, including Rodin's most famous, The Thinker and The Kiss. With the museum commission came a free studio, granting Rodin a new level of artistic freedom. Soon, he stopped working at the porcelain factory in 1882; [20] his income came from private commissions. [21]
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