Search results
Results from the WOW.Com Content Network
Beal was hired in 1999 as the Director and President of the Detroit Institute of Arts (DIA). [2] During his early days, Beal was embroiled in several controversies over the suppression of contemporary exhibitions, despite his identification as an advocate of contemporary art. The first example of this was in 1999, when Beal shut down an exhibit ...
The current director of the Detroit Institute of Arts, Salvador Salort-Pons a native of Madrid was previously head of the European Art Department at the DIA. Before coming to the DIA he was senior curator at the Meadows Museum at SMU and prior to that an assistant professor of art history at the Complutense University of Madrid .
Salvador Salort-Pons (born April 18, 1970) is a Spanish-American art historian and museum director. Since 2015, Salort-Pons has served as the Director of the Detroit Institute of Arts . Early life and education
Director of the Detroit Institute of Arts Salvador Salort-Pons speaks to the power and inspiration of the DIA’s newest special exhibit Regeneration: Black Cinema 1898-1971, that explores the ...
People associated with the Detroit Institute of Arts−DIA — past/current curators, directors, architects, and philanthropists of DIA.
Detroit. From 1924–1945 he was appointed first as advisor and then Director of the Detroit Institute of Arts, one of the cultural institutions that expanded during the city's boom years. The museum was founded as the Detroit Museum of Art in 1885, and was renamed Detroit Institute of Arts in 1919. [3]
Edgar Preston Richardson (December 2, 1902 – March 27, 1985), also known as E. P. Richardson, was an American art historian, museum director, author, and curator.. Richardson served as director of the Detroit Institute of Arts (1945–1962) and Winterthur Museum (1963
The Courtauld Institute of Art is a self-governing college of the University of London specialising in the study of the history of art and conservation.It is among the most prestigious specialist colleges for the study of the history of art in the world and is widely known for the disproportionate number of directors of major museums drawn from its small body of alumni.