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The Ancient Greek accent is believed to have been a melodic or pitch accent.. In Ancient Greek, one of the final three syllables of each word carries an accent. Each syllable contains a vowel with one or two vocalic morae, and one mora in a word is accented; the accented mora is pronounced at a higher pitch than other morae.
Klismoi are familiar from depictions of ancient furniture on painted pottery and in bas-reliefs from the mid-fifth century BCE onwards. In epic, klismos signifies an armchair, but no specific description is given of its form; in Iliad xxiv, after Priam's appeal, Achilles rises from his thronos, raises the elder man to his feet, goes out to prepare Hector's body for decent funeral and returns ...
The accents (Ancient Greek: τόνοι, romanized: tónoi, singular: τόνος, tónos) are placed on an accented vowel or on the last of the two vowels of a diphthong (ά, but αί) and indicated pitch patterns in Ancient Greek. The precise nature of the patterns is not certain, but the general nature of each is known.
Ancient Greek had a pitch accent, unlike the stress accent of Modern Greek and English. One mora of a word was accented with high pitch. A mora is a unit of vowel length; in Ancient Greek, short vowels have one mora and long vowels and diphthongs have two morae.
It is usually accepted that in classical Greek the accent was a pitch accent, that is, the accented syllable was pronounced on a higher pitch than the other syllables of the word. [2] The accent is believed to have changed to a stress accent by about the 2nd century AD. [3]
The most significant changes during the Koine Greek period concerned vowels: these were the loss of vowel length distinction, the shift of the Ancient Greek system of pitch accent to a stress accent system, and the monophthongization of diphthongs (except αυ and ευ). These changes seem widely attested from the 2nd century BC in Egyptian ...
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