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On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and response ear training dictations, either alone or in ...
In Schenkerian analysis, the bass arpeggiation (German: Bassbrechung) is the bass pattern forming the deep background of tonal musical works. It consists in scale steps (de: Stufen ) I-V-I, each of which may span hundreds of measures of music in the foreground .
"The background in music is represented by a contrapuntal structure which I have designated the fundamental structure". [9] It consists in the fundamental line counterpointed by the bass arpeggiation, together forming a counterpoint of the outer lines (German: Außensatz). [10]
Arpeggiation is similar to the tremolo technique, except almost always the fingers pluck separate strings. Usually, the pattern of finger pluckings is such that it begins with the fingers resting on the strings as follows - thumb (p) on a bass-string and index (i), middle (m), third finger (a) each on one of the three treble strings respectively.
The fundamental line (German: Urlinie) is the melodic aspect of the Fundamental structure , "a stepwise descent from one of the triad notes to the tonic" with the bass arpeggiation being the harmonic aspect. [3] The fundamental line fills in the spaces created by the descending arpeggiation of the tonic triad.
The arpeggione is a six-stringed musical instrument fretted and tuned like a guitar, but with a curved bridge so it can be bowed like a cello, and thus similar to the bass viola da gamba.
The fundamental line itself originates as an arpeggiation of the tonic chord, filled by passing tones: In accordance with the arpeggiation from which it stems, the fundamental line exhibits the space of a third, fifth, or octave. These spaces are filled by passing tones. [1]
The arpeggiation through the fifth is an imitation of the overtone series, adapted to man ... Analysis of Tonal Music: A Schenkerian Approach, Oxford: ...