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A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downward. Bird's-eye views can be an aerial photograph , but also a drawing, and are often used in the making of blueprints, floor plans and maps.
The artist Kazimir Malevich (1878–1935), who wrote extensively on the aesthetics and philosophy of modern art, identified the aerial landscape (especially the "bird's-eye view", looking straight down, as opposed to an oblique angle) as a genuinely new and radicalizing paradigm in the art of the twentieth century.
Pictorial maps (also known as illustrated maps, panoramic maps, perspective maps, bird's-eye view maps, and geopictorial maps) depict a given territory with a more artistic rather than technical style. [1] It is a type of map in contrast to road map, atlas, or topographic map.
Aerial photography typically refers specifically to bird's-eye view images that focus on landscapes and surface objects, and should not be confused with air-to-air photography, where one or more aircraft are used as chase planes that "chase" and photograph other aircraft in flight.
Bird's-eye view displays aerial imagery captured from low-flying aircraft. Unlike the top-down aerial view captured by satellite, Bird's-eye images are taken at an oblique 45-degree angle, showing the sides and roofs of buildings giving better depth perception for geography. With Bird's Eye views, many details such as signs, advertisements and ...
In the aerial view, four sharks cut a path through the school of fish, gathering their prey for feeding. Albi studies interactions between blacktip reef sharks and baitfish schools, using drones ...
But the aerial photos give a more clear-cut look at how crowds compared. The Washington Metro subway system reported that riders took fewer trips on Friday morning during Trump's inauguration than ...
Aerial perspective, or atmospheric perspective, refers to the effect the atmosphere has on the appearance of an object as viewed from a distance. As the distance between an object and a viewer increases, the contrast between the object and its background decreases, and the contrast of any markings or details within the object also decreases.
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