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Antigone (Greek: Aντιγόνη, Antigone) is a 1961 Greek film adaptation of the Ancient Greek tragedy Antigone by Sophocles. It stars Irene Papas in the title role and was directed by Yorgos Javellas , who also adapted the play for the film.
Creon, Antigone's uncle and newly appointed King of Thebes, buries Eteocles, who fought on the Theban side of the war, hailing him as a great hero. He refuses to bury Polyneices, proclaiming that any who attempt to defy his wishes will be made an example of, on the grounds that he was a 'traitor' fighting on the opposing side in the war.
The Creon of Oedipus Rex is in some ways different and in some ways similar to the Creon of Antigone. In Oedipus Rex, he appears to favor the will of the gods above decrees of state. Even when Oedipus says that, once dethroned, he must be exiled, Creon waits for the approval of the gods to carry out the order once he has been crowned king.
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Polynices' sister Antigone announces her intention to defy Creon and bury her brother, begins the burial, is discovered by guards and arrested, sentenced to death by Creon, and hangs herself. [100] Discounting the probably spurious scene in Aeschylus' Seven Against Thebes , Sophocles' play is our earliest source for any involvement of Antigone ...
Oedipus's two daughters (and half-sisters), Antigone and Ismene, are sent out and Oedipus laments their having been born to such a cursed family. He begs Creon to watch over them, in hopes that they will live where there is opportunity for them, and to have a better life than their father. Creon agrees, before sending Oedipus back into the palace.
In Sophocles' Antigone, Creon, now king of Thebes, refused to allow the burial of Creon's brother Polynices and decreed to bury alive his niece, Antigone, for defying the order. Tiresias warned him that Polynices should be urgently buried because the gods were displeased, refusing to accept any sacrifices or prayers from Thebes.
Antigone, Polynices' sister, defies the king's order and is caught. Antigone is brought before Creon, and admits that she knew of Creon's law forbidding mourning for Polynices but chose to break it, claiming the superiority of divine over human law, and she defies Creon's cruelty with courage, passion, and determination.