Search results
Results from the WOW.Com Content Network
Version of the statue in 1870 with a staff in his left hand. Augustus is shown in his role of imperator, the commander of the army, as thoracatus —or commander-in-chief of the Roman army (literally, thorax-wearer)—meaning the statue should form part of a commemorative monument to his latest victories; he is in military clothing, carrying what may have been a spear [3] or a consular baton ...
The Augustus of Prima Porta is an example of an adlocutio pose. In ancient Rome the Latin word adlocutio means an address given by a general, usually the emperor, to his massed army and legions. The research of adlocutio focuses on the art of statuary and coinage aspects.
Still influential was the Greek sculpture from the 5th century BC, of which many works remained. This continuation of neo-Atticism influenced architecture, craftsmanship, and painting. Emblematic works of this era are the Ara Pacis , the Via Labicana Augustus , and the Augustus of Prima Porta .
The Augustus of Prima Porta, one of the best-preserved examples of a standard type of official portrait. Caesar Augustus (63 BC – AD 14), known as "Octavian" before he became emperor, was the first and among the most important of the Roman Emperors. As such, he has frequently been depicted in literature and art since ancient times.
On the breastplate of the statue of Augustus of Prima Porta Hispania appears on the right hand side (on the left when looking at the sculpture). It is found behind the back of Mars , god of war, in a seated and afflicted position carrying the gladius hispaniensis .
The central breastplate relief on the statue of Augustus of Prima Porta shows the return of the Aquila (Roman eagle standard) lost to the Parthians. Roman Coin showing the Aquila (Roman eagle standard) in the Temple of Mars the Avenger.
Prima Porta is the 58th zona of Rome, identified by the initials Z. LVIII. The name Prima Porta (First Door) came from an arch of the aqueduct that brought water to the Villa of Livia , which formed over Via Flaminia a sort of gateway which travellers saw as the first indication of having reached Rome (Piperno).
The polychrome proposal of Augusto de Prima Porta presented at the Tarraco Viva Festival was made by researchers Dr. Emma Zahonero Moreno and Jesús Mendiola Puig, members of the SETOPANT research group of the URV of Tarragona, after a previous investigation on the techniques and the procedures of painting and polychromy in Greco-Roman times.