Search results
Results from the WOW.Com Content Network
The yes/no intonation is a sharp rise in pitch occurring in the last syllable of a yes/no question. The information question intonation is a rapid fall-off from high pitch on the first word of a non-yes/no question, often followed by a small rise in pitch on the last syllable of the question.
Systematic Exercises in English Sentence-Building. Stage II. Tokyo, Institute for Research in English Teaching. Palmer, H. E. (1926). English through Questions and Answers. Book I (Part I). Corresponding to Book I, Part I of the Readers. Tokyo, Institute for Research in English Teaching. Palmer, H. E. (1926). English through Questions and Answers.
A response may echo the content of a stimulus and have similar intonation to an echo question, but follow the syntactic rules of a normal question (including wh-fronting and subject-auxiliary inversion), as in: A: He saw a crocodile. B: What did he see? Some authors include these among echo questions [3] [4] while others do not. [1]
Intonation and stress work together to highlight important words or syllables for contrast and focus. [21] This is sometimes referred to as the accentual function of prosody. A well-known example is the ambiguous sentence "I never said she stole my money", where there are seven meaning changes depending on which of the seven words is vocally ...
The sentence can be given as a grammatical puzzle [7] [8] [9] or an item on a test, [1] [2] for which one must find the proper punctuation to give it meaning. Hans Reichenbach used a similar sentence ("John where Jack had...") in his 1947 book Elements of Symbolic Logic as an exercise for the reader, to illustrate the different levels of language, namely object language and metalanguage.
In a similar vein, the effectively obsolete staveless tone letters were once doubled for an emphatic rising intonation ˶ and an emphatic falling intonation ˵ . [87] Length is commonly extended by repeating the length mark, which may be phonetic, as in [ĕ e eˑ eː eːˑ eːː] etc., as in English shhh!
The process is similar to twelve-tone ear training, but with many more intervals to distinguish. Aspects of microtonal ear training are covered in Harmonic Experience, by W. A. Mathieu, with sight-singing exercises, such as singing over a drone, to learn to recognize just intonation intervals. There are also software projects underway or ...
English tag questions, when they have the grammatical form of a question, are atypically complex, because they vary according to at least three factors: the choice of auxiliary, the negation and the intonation pattern. This is unique among the Germanic languages, but the Celtic languages operate in a very similar way.