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The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
Unlike book art and film posters, television key art is horizontal and is most often produced at 16:9 ratio. [8]Netflix state that their research indicates that people focus on key art for 1.8 seconds, and that such artwork is the biggest influence upon their viewers' decisions to engage with content. [9]
11′09″01 September 11 is a 2002 international anthology film composed of 11 contributions from 11 filmmakers, each from a different country. Each gave their own vision of the events in New York City during the September 11 attacks, in a short film of 11 minutes, 9 seconds, and one frame.
A type of jump cut, where the camera suddenly moves closer to or further away from its subject along an invisible line drawn straight between the camera and the subject. [13] While a plain jump cut typically involves a temporal discontinuity (an apparent jump in time), an axial cut is a way of maintaining the illusion of continuity . [ 14 ]
William Gold (January 3, 1921 – May 20, 2018) was an American graphic designer best known for thousands of film poster designs. [1] [2] During his 70-year career, Gold worked with some of Hollywood's greatest filmmakers, including Laurence Olivier, Clint Eastwood, Alfred Hitchcock, Stanley Kubrick, Elia Kazan, and Ridley Scott.
Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011) The Turin Horse (Ágnes Hranitzky and Bela Tarr, 2011) It's Such a Beautiful Day (Don Hertzfeldt, 2012) The Master (Paul Thomas Anderson, 2012) Moonrise Kingdom (Wes Anderson, 2012) All Is Lost (J.C. Chandor, 2013) Gravity (Alfonso Cuarón, 2013) Her (Spike Jonze, 2013) Locke (Steven Knight ...
Mosters also must partly or fully use elements of the original movie poster it is based on and can only take place within the poster, it cannot use live action from the movie, must be under 20 seconds and must end with the same still image of the original poster. [6] They are also designed to give moviegoers a teaser with regards to the movie [4]
But that's just an excuse to make a picture that will hold appeal only for those who like to see other people blown away by high-powered rifles. This is a contemptible motion picture." [ 8 ] [ 9 ] Arthur D. Murphy of Variety noted "above-average plotting, acting and direction, including one of the better mob scenes filmed in many a year."