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"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
Harlan Perry Howard (September 8, 1927 – March 3, 2002) was an American songwriter, principally in country music. In a career spanning six decades, Howard is credited with writing more than 4,000 songs, over 100 of which reached country music's Top 10. [1]
"Three Chords and the Truth" is a song co-written and recorded by American country music artist Sara Evans. It was released in July 1997 as the second single from Evans' debut album of the same name in July 1997. Despite its minor success on the Billboard country chart, it was critically acclaimed for its retro-themed production. Since its ...
Songwriter Harlan Howard once said "country music is three chords and the truth." [2] Lou Reed said "One chord is fine. Two chords is pushing it. Three chords and you're into jazz." [3] Reed nevertheless wrote many songs with unique or complex chord progressions himself, such as the material on Berlin.
Frank Sinatra appeared on the Your Hit Parade program on December 23, 1944 and performed this song, which at the time was the #1 song in the country. The arrangement, written by both Lowell Martin (the first section of the arrangement) and Billy May (the second part including the shout chorus) was conducted by Axel Stordahl and the Lucky Strike Orchestra.
"Life Turned Her That Way" is a song written by Harlan Howard and first recorded by American country music artist Little Jimmy Dickens in 1965. Mel Tillis recorded it in 1967 and released it as a single in February and was his seventh chart entry.
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"We Could" is a song written by Felice Bryant and originally recorded by "Little" Jimmy Dickens in 1955. It's been recorded by numerous acts over the years, including American pop crooner Al Martino, whose version peaked at number 41 on Billboard Hot 100 chart in December 1964, [1] but is best remembered by a version recorded by American country music artist Charley Pride.