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"Lágrimas negras" (Spanish for Black Tears) is a bolero-son by Miguel Matamoros, first recorded by the Trío Matamoros in 1931. The song was written in Santo Domingo, in the Dominican Republic, in 1930, when Matamoros was on his way back to Cuba from the Ibero-American Exposition of 1929. [1]
"Flores negras" ("Black Flowers") is a bolero song written and composed by Cuban musician Sergio De Karlo and published in 1937. [1] It was introduced by Mexican tenor Pedro Vargas in the 1937 film Los chicos de la prensa. [2]
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century".
The result was two smash hits with the singles "Poquita Fe" ("Little Faith", also titled "Sin Fe", or "Without Faith"), and "Usted". This was the beginning of a series of successful singles, albums and gold records throughout Latin America and Hispanic communities in the United States where Feliciano revolutionized the sound of the bolero.
That is why Ravel's Bolero is the one piece of classical music that is commonly known and liked by them." [28] In a 2011 article for The Cambridge Quarterly, Michael Lanford wrote, "throughout his life, Maurice Ravel was captivated by the act of creation outlined in Edgar Allan Poe's Philosophy of Composition."
Typical was the introduction of syncopation, leading to the bolero-moruno, bolero-beguine, bolero-mambo, and bolero-cha. The bolero-son became for several decades the most popular rhythm for dancing in Cuba, and it was this rhythm that the international dance community picked up and taught as the wrongly named 'rumba'.
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