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Jirō Yoshihara (吉原 治良, Yoshihara Jirō, January 1, 1905 – February 10, 1972) was a Japanese painter, art educator, curator, and businessman.. Mainly known for his gestural abstract impasto paintings from the 1950s and Zen-painting inspired hard-edge Circles beginning in the 1960s, Yoshihara's oeuvre also encompasses drawings, murals, sculptures, calligraphy, ink wash paintings ...
Ensō (c. 2000) by Kanjuro Shibata XX.Some artists draw ensō with an opening in the circle, while others close the circle.. In Zen art, an ensō (円 相, "circular form") [1] is a circle hand-drawn in one or two uninhibited brushstrokes to express the Zen mind, which is associated with enlightenment, emptiness, freedom, and the state of no-mind.
Iaijutsu (居合術) is a combative quick-draw sword technique. [1] This art of drawing the Japanese sword, katana, is one of the Japanese koryū martial art disciplines in the education of the classical warrior . [2]: 50
The aesthetic language and conventions of these media have increasingly come to represent the totality of Japanese art and culture abroad as well; the aesthetic of kawaii, for example, originally was derived from traditional concepts within Japanese art dating back to the 15th century, [75] but was explored within popular manga and anime series ...
Instead of drawing upon the older styles of well known works depicting Nichiren, Kuniyoshi's Sketches of the Life of the Great Priest shows the influence of the Kishi school, particularly the work of Kawamura Bunpō (河村文鳳) (1779–1821) as found in his gafu (picture album), [9] a landscape painting manual known as Bunpō sansui gafu (文鳳山水画) (A Book of Drawings of Landscapes ...
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".
New York: Metropolitan Museum of Art / Viking Studio Book. ISBN 978-0670372621. Kafū, Nagai, Kyoko Selden, and Alisa Freedman. "Ukiyo-e Landscapes and Edo Scenic Places(1914)". Review of Japanese Culture and Society, vol. 24 (2012): 210–232. McManamon, Sean P. "Japanese Woodblock Prints as a Lens and a Mirror for Modernity".
The prints were very popular amongst the Japanese merchants and the middle class of the time. From the Edo period to the Meiji period (1868–1912), the technical evolution of ukiyo-e processes increased, with the accuracy of carving and printing and the vividness of colors used developing through the introduction of new printing processes and ...