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"Queen of Memphis" is a song written by Dave Gibson and Kathy Louvin, and recorded by American country music band Confederate Railroad. It was released in December 1992 as the third single from their album Confederate Railroad. It peaked at number 2 in the United States (behind "What Part of No" by Lorrie Morgan), and number 3 in Canada. It is ...
Simpson had already sung country themed songs previous like "These Boots Are Made for Walkin'". "Come on Over" was co-written by country music artist Rachel Proctor, Victoria Banks and Simpson herself. The lyrics of the uptempo single focus on the narrator's paramour. Simpson said, "The fun thing about the song is that anxiety of wanting the ...
The song was released as a single on 4 March 1991, a month after the release of the album. The lyrics and the accompanying music video project the song as humorous and lighthearted, [4] despite the lyrics dealing with the mental decline Mercury was experiencing as one of the effects of advancing AIDS.
In June 2014, Newton's version of the song was ranked number 92 by Rolling Stone on its list of the 100 greatest country songs of all time. [12] Newton re-recorded "Queen of Hearts" for her 1998 album The Trouble With Angels. Juice Newton's first version of the song is featured in Oliver Stone's 1986 film Salvador and the 1997 film Boogie Nights.
The song describes the day-to-day domestic duties of a housewife. It was released as a single on the coattails of "King of the Road"'s success, becoming a crossover single on the country, pop and adult contemporary charts. It led to Miller becoming the second female artist to win a country music Grammy award. An album of the same name appeared ...
"Come on Down" is a song recorded by Canadian country music duo High Valley for their fourth studio album, County Line (2014). It was released September 29, 2015 as the record's fifth single. [ 1 ] The song was written by Jared Crump, Brad Rempel, and Fred Wilhelm.
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When released as a single with "Bicycle Race", the song reached number 11 in the UK Singles Chart and number 24 in the Billboard Hot 100 in the US. [5] [6] The song is formed around an open bluesy, metallic guitar tuning, and opens with its chorus. [7] It was one of the few Queen songs played in an alternative guitar tuning. [8]