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The Kaashtha sari (Marathi: नऊवारी साड़ी) is a Koli [1] [2] style of sari draping very similar to the way the Maharashtrian dhoti is worn. The word Kaashtha refers to the sari being tucked at the back. [3] [4] Since this sari is usually worn by using a single nine yard cloth, it is also referred to as Nauvari, which means ...
Kandyan Sinhalese lady wearing a traditional Kandyan sari (osaria) Sri Lankan women wear saris in many styles. Two ways of draping the sari are popular and tend to dominate: the Indian style (classic nivi drape) and the Kandyan style (or Osariya in Sinhala). The Kandyan style is generally more popular in the hill country region of Kandy from ...
This style of tying the saree is the "koshavam" style (that is going between the legs, in the typical style used by men). Tamil Brahmin women are required to use this style after their marriage [citation needed]. Different communities have evolved different sari styles from the original koshavam style, that requires more material - nine yards.
Both the traditional and modern styles of the mundum neriyatum are depicted in the paintings of the Indian painter Raja Ravi Varma. The mundum neriyatum was modified in several paintings depicting Shakuntala from the Mahabharata to a style of draping now popularly known as the 'nivi sari' or 'national drape'.
A simple white sari, worn as a daily wear, is called a mundu. Saris are called pudavai in Tamil Nadu. In Karnataka, saris are called Seere. [31] The traditional production of handloom sarees is important to economic development in rural communities. [32] The Sari Series [33] provides a documented resource of over 80 different regional drapes of ...
Both the traditional and modern styles of the mundum neryathum are depicted in the paintings of the Indian painter Raja Ravi Varma. The mundum neriyathum was modified in several paintings depicting shakuntala from the mahabharatha to a style of draping now popularly known as the 'nivi saree' or 'national drape'.
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