Search results
Results from the WOW.Com Content Network
Haydn's variety of dramatic effects and ability to create tension was remarked upon in his own time: his music was increasingly taken as the standard by which other practice might be judged. Haydn's set of string quartets, Op. 33 gives the first examples of coordinated use of the resources of sonata form in characteristic fashion. The composer ...
Tension occurs when the music (and the listener with it) is pulled away from the tonic. Tchaikovsky "not only increases the contrasts between the themes on the one hand and the keys on the other," but ups the ante by introducing his second theme in a key unrelated to the first theme and delaying the transition to the expected key.
The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. Irving, John. 2013. "Pre-Romanticism in Music". Encyclopedia of the Romantic Era, 1760–1850, 2 vols., edited by Christopher John Murray, 903–904. New York: Routledge. ISBN 978-1-135-45579-8. O'Loghlin, Michael. 2008.
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
The tritone substitution is a common chord substitution found in both jazz and classical music. Where jazz is concerned, it was the precursor to more complex substitution patterns like Coltrane changes. Tritone substitutions are sometimes used in improvisation—often to create tension during a solo.
Requiem – Mass for the dead set to music. March – Piece with a strong regular rhythm, frequently performed by a military band. Nocturne – Composition that is inspired by, or evocative of, the night. Opera – Dramatic work in one or more acts, set to music for singers and instrumentalists.
The secondary theme has a similar rhythmic pattern, also beginning with scales in the violins but descending this time, but it has more subtlety. A triumphant codetta concludes the exposition. The development begins with the secondary theme motif reoccurring in different instruments in counterpoint, and transitions into the different motifs of ...
In its classical form, it is usually part of a multi-movement work, in triple time with a lively tempo and light-hearted mood. Beethoven's scherzos perfectly exemplify this type of movement, with characteristic sforzandi off the beat, clearly articulated rhythms and rising or falling patterns. The scherzos in Chopin's piano sonatas start from ...