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Ecce Homo or Christ Wearing the Crown of Thorns is an oil on oak panel painting of the Ecce Homo subject by Peter Paul Rubens, executed c. 1612, now in the Hermitage Museum, in Saint Petersburg. [1] The Hermitage also houses an oil study for its figure of Pilate .
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
Crown him of lords the Lord, Who over all doth reign Who once on earth, the incarnate Word, For ransomed sinners slain, Now lives in realms of light, Where saints with angels sing Their songs before him day and night, Their God, Redeemer, king. Crown him the Lord of heaven, Enthroned in worlds above; Crown him the king, to whom is given
One old use of the red crown hieroglyph is to make the word: 'in'!, (formerly an-(a-with dot)-(the "vertical feather" hieroglyph a, plus the red crown). Egyptian "in" is used at the beginning of a text and translates as: Behold!, or Lo!, and is an emphatic. The Red Crown is also used as a determinative, most notably in the word for deshret. It ...
The three Biblical gospels that mention the crown of thorns do not say what happened to it after the crucifixion. The oldest known mention of the crown already being venerated as a relic was made by Paulinus of Nola, writing after 409, [8] who refers to the crown as a relic that was adored by the faithful (Epistle Macarius in Migne, Patrologia Latina, LXI, 407).
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The scheme of The Somerset Masque appears to be derived from the story of Peleus and Thetis, as related by Catullus. [6] Campion's masque on the night of the wedding ceremony was the first of a number of entertainments, including Ben Jonson's A Challenge at Tilt and The Irish Masque at Court, Thomas Middleton's lost Masque of Cupids, and The Masque of Flowers.
Sixty-five houses in June – Lady Stanhope's village were rented and filled with salt. These houses have merely earthen floors, and the salt next the ground, in a few years, entirely spoiled. I saw large quantities of it literally thrown into the street, to be trodden underfoot by people and beasts. It was 'good for nothing.'