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Hebrew cantillation, trope, trop, or te'amim is the manner of chanting ritual readings from the Hebrew Bible in synagogue services. The chants are written and notated in accordance with the special signs or marks printed in the Masoretic Text of the Bible, to complement the letters and vowel points .
Cantillation is the ritual chanting of prayers and responses. [ 1 ] [ 2 ] It often specifically refers to Jewish Hebrew cantillation . Cantillation sometimes refers to diacritics used in texts that are to be chanted in liturgy .
Spanish and Portuguese traditional cantillation has several unique elements. Torah cantillation is divided into two musical styles. The first is the standard used for all regular readings. A similar but much more elaborate manner of cantillation is used on special occasions. This is normally referred to as High Tangamim or High Na'um.
Revia (Hebrew: רְבִיעַ, [r ə viaʕ]) is a cantillation mark commonly found in the Torah, Haftarah, and other biblical texts.. It is commonly explained as being the Aramaic equivalent of Hebrew רְבִיעִי Revi'i, meaning 'fourth' or 'quarter'., [1] and for that reason is sometimes called Revi'i.
Zakef Katan (Hebrew: זָקֵף קָטָ֔ן, lit. 'upright small'; various romanizations [1]), often referred to simply as katan, is a cantillation mark commonly found in the Torah, Haftarah, and other books of the Hebrew Bible.
Mahpach (Hebrew: מַהְפַּךְ, with variant English spellings) is a common cantillation mark found in the Torah, Haftarah, and other books of the Hebrew Bible. It is part of the Katan group, and it frequently begins the group. The symbol for the Mahpach is <. [1] Mahpach is always followed by a pashta.
Karne parah (Hebrew: קַרְנֵי פָרָה, also spelled Qarnei Farah and other variant English spellings) is a cantillation mark found only once in the entire Torah (Book of Numbers Numbers] 35:5), and once in the Book of Esther, immediately following the identically unique Yerach ben yomo.
They wrote in the form of Tiberian vocalization, [1] which employed diacritics added to the Hebrew letters: vowel signs and consonant diacritics and the so-called accents (two related systems of cantillation signs or te'amim). These together with the marginal notes masora magna and masora parva make up the Tiberian apparatus.