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Batik tujuh rupa is known to be very rich in color, describing the characteristics of coastal community life which are easy to adapt to outside cultural influences, and are also able to adapt to the influence of inland batik.
A raga (IAST: rāga, IPA:; also raaga or ragam or raag; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [ 1 ] [ 2 ] ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode . [ 3 ]
Kawung batik (Indonesian: Batik Kawung) is an Indonesian batik motif [1] whose shape is in the form of a circle similar to a kawung fruit (a type of coconut or sometimes also considered as sugar palm or palm fruit) which is neatly arranged geometrically.
Bhupalam scale with shadjam at C. Bhupalam is a symmetric rāgam that does not contain madhyamam or nishādham.It is a symmetric pentatonic scale (audava-audava ragam [1] [2] in Carnatic music classification – audava meaning 'of 5').
Mohanam scale with shadjam at C. Mohanam is a symmetric rāga that does not contain madhyamam and nishādham.It is a symmetric pentatonic scale (audava-audava raga [1] [2] in Carnatic music classification – audava meaning 'of 5').
Zapin (Jawi: زافين) is one of the most popular dance and musical forms in traditional Malay performing arts.Dance movements are choreographed to melodies, which are performed using musical instruments such as the gambus (short-necked lute), accordion, and rebana. [8]
Harikambhoji scale with Shadjam at C. It is the 4th rāgam in the 5th chakra Bana.The mnemonic name is Bana-Bhu.The mnemonic phrase is sa ri ga ma pa dha ni sa. [1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):