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Krenek's student Robert Erickson cited the chord as an example of a texture arranged so as to "closely approach the single-object status of fused-ensemble timbres, for example, the beautiful 'northern lights' ... chord, in a very interesting distribution of pitches, produces a fused sound supported by a suspended cymbal roll.' [1] "The ...
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
A light pillar or ice pillar is an atmospheric optical phenomenon in which a vertical beam of light appears to extend above and/or below a light source. The effect is created by the reflection of light from tiny ice crystals that are suspended in the atmosphere or that comprise high-altitude clouds (e.g. cirrostratus or cirrus clouds). [1]
"Song for a Winter's Night" is a song written by Gordon Lightfoot, and first recorded for his album The Way I Feel (1967). Lightfoot recorded another version of the song for Gord's Gold (1975), a greatest hits compilation on which other re-recordings also appeared.
Winter Wonderland is the eleventh album by Contemporary Christian group Point of Grace and their second Christmas album, after 1999's A Christmas Story. It was released in 2005 by Word Records . Track listing
Winter Nights (Old Norse: vetrnætr) was a specific time of year in medieval Scandinavia, held 28 days after the autumn equinox. According to Zoega's Concise Dictionary of Old Icelandic , vetr-nætr referred to "the three days which begin the winter season".
The song's frequent chord and time changes caused problems in playing the song correctly; the difficulty was so great that producer Brian Eno attempted to erase the track. [ 87 ] [ 88 ] Drummer Larry Mullen Jr. later said of the song, "It took so long to get that song right, it was difficult for us to make any sense of it.
Most of the piano part alternates between the D and G chords, [23] an example of the Edge's longtime practice of composing around two-chord progressions. [25] The part gives the song an elegiac feel. [26] Accompanying the piano for much of the song is Lanois' soft playing of a so-called electric "scrape guitar", which he contributed to add ...
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