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C-41 is a chromogenic color print film developing process introduced by Kodak in 1972, [1] superseding the C-22 process.C-41, also known as CN-16 by Fuji, CNK-4 by Konica, and AP-70 by AGFA, is the most popular film process in use, with most, if not all photofinishing labs devoting at least one machine to this development process.
In still photography, Kodak's Kodacolor brand has been associated with various color negative films (i.e., films that produce negatives for making color prints on paper) since 1942. Kodak claims that Kodacolor was "the world's first true color negative film". [1] More accurately, it was the first color negative film intended for making paper ...
RA-4 is Kodak's proprietary name for the chemical process most commonly used to make color photographic prints. It is used for both minilab wet silver halide digital printers of the types most common today in photo labs and drug stores, and for prints made with older-type optical enlargers and manual processing.
In 1997, Heidelberg Printing Machines AG and Eastman Kodak Co. created Nexpress Solutions LLC, a joint venture to develop a digital color printing press for the high-end market segment. Heidelberg acquired Eastman Kodak Co.'s Office Imaging black and white digital printing activities in 1999. [ 186 ]
The processing machinery is generally run on a continuous basis with films spliced together in a continuous line. All the processing steps are carried out within a single processing machine with automatically controlled time, temperature and solution replenishment rate. The film or prints emerge washed and dry and ready to be cut by hand.
Introduced by Kodak in the 1956, [1] C-22 is an obsolete process for developing color film, superseded by the C-41 process in 1972 for the launch of 110 film and in 1974 for all other formats. [ 2 ] The development of the film material is carried out at temperatures of around 75°F (24°C), making the process incompatible with the more modern C ...
In motion pictures, Kodak's Kodacolor brand was originally associated with an early lenticular (additive color) color motion picture process, first introduced in 1928 for 16mm film. [1] The process was based on the Keller-Dorian system of color photography.
It is the standard development process for all modern motion picture color print developing, including Fuji and other non-Kodak film manufacturers. All film stocks are specifically created for a particular development process, thus ECP-1 film could not be put into an ECP-2 development bath since the designs are incompatible.
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