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Typically, the term "soprano" refers to female singers but at times the term "male soprano" has been used by men who sing in the soprano vocal range using falsetto vocal production instead of the modal voice. This practice is most commonly found in the context of choral music in England. However, these men are more commonly referred to as ...
The soprano singing voice is the voice of children and the highest type of female voice with vocal range that typically lies between "middle C" (C 4) and "high C" (C 6) [1] The soprano voice (unlike the mezzo-soprano voice) is stronger in the head register than the chest register, resulting in a bright and ringing tone. [2]
This category is intended for notable American sopranos. There is controversy when the term "soprano" is applied to men. Men who sing in the soprano range are sometimes called "sopranists", "sopranistas", or "male sopranos". At the moment there is no established criteria on which term is used by Wikipedia for categorization purposes.
Choral music most commonly divides vocal parts into high and low voices within each sex: soprano and alto vocal ranges for females, tenor and bass vocal ranges for males , and occasionally treble for children. As a result, the typical chorus affords many opportunities for misclassification to occur. [6]
There is controversy when the term "soprano" is applied to men. Men who sing in the soprano range are sometimes called "sopranists", "sopranistas", or "male sopranos" (Category:Sopranists). Please sub-categorize entries by nationality (Category:Sopranos by nationality) or a subcategory in Category:Operatic sopranos, if possible
This is a list of the singers, conductors, and dancers who have appeared in at least 100 performances at the Metropolitan Opera, last updated March 17, 2024.Performers are listed by the number of the performances they have appeared in as found at the Metropolitan Opera Archives. [1]
A. Emma Abbott; Bessie Abott; Suzanne Adams; Adele Addison; Titilayo Adedokun; Ada Adini; Laura Aikin; Gan-ya Ben-gur Akselrod; Hanan Alattar; Licia Albanese; Mariska ...
A male can retain his child voice if it never changes during puberty. The retained voice can be the treble voice shared by both sexes in childhood and is the same as a boy soprano voice. But as evidence shows, many castrati, such as Senesino and Caffarelli, were actually altos (mezzo-soprano) – not sopranos.