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Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
The Quốc âm thi tập (國音詩集 "National pronunciation poetry collection") [a] is a collection of Vietnamese poetry written in the vernacular chữ Nôm script attributed to Nguyễn Trãi (chữ Hán: 阮廌). The collection of 254 poems was traditionally written after Nguyễn Trãi's retirement from court life. [1]
南 Nam 國 quốc 山 sơn 河 hà 南 Nam 帝 đế 居 cư, 南 國 山 河 南 帝 居 Nam quốc sơn hà Nam đế cư, The Southern Country's mountains and rivers, the Southern Emperor inhabits. 皇 Hoàng 天 thiên 已 dĩ 定 định 在 tại 天 thiên 書 thư. 皇 天 已 定 在 天 書 Hoàng thiên dĩ định tại thiên thư. The August Heaven hath willed it so in the ...
New Poetry Movement (Vietnamese : Phong-trào Thơ-mới) was a literary movement in 1930s colonial Vietnam, abandoning the stylized forms of Chinese-influenced poetry in Hán-Nôm for free verse in Latin-alphabet Quốc ngữ. [1] [2]
A 1930s edition of the anthology. The Three Hundred Tang Poems is an anthology of poems from the Chinese Tang dynasty (618–907). It was first compiled around 1763 by Sun Zhu (1722–1778 [1]), who was a Qing Dynasty scholar and was also known as Hengtang Tuishi (蘅塘退士, "Retired Master of Hengtang").
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Bình Ngô đại cáo literally means Great Proclamation upon the Pacification of the Wu.Zhu Yuanzhang, the founder of the Ming dynasty, was a native of Hao Prefecture-which is now in Fengyang, Anhui, China and lies in the territory of the former state of (Eastern) Wu ([東]吳; Sino-Vietnamese: [Đông] Ngô) - and, in 1356, he himself took the title Duke of Wu (吳國公; SV: Ngô Quốc ...
The first edition of "Kobzar" was printed in the private printing house of EF Fischer in St. Petersburg (Russia) with a circulation of 1,000 copies.Of these, the first 100 copies had 115 pages of text, but most of them, after the intervention of the censor, were removed and destroyed before the sale, and about ten, which Taras Shevchenko gave to friends — remained.