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We're Gonna Hold On (song) What Am I Worth; What My Woman Can't Do; What's in Our Heart (song) Who Shot Sam; Why Baby Why; The Window Up Above; Wrapped Around Her Finger; Wrong Number (George Jones song)
George Jones with Love "Tell Me My Lying Eyes Are Wrong" — 13: 31 The Best of George Jones "A Good Year for the Roses" 12: 2: 4 George Jones with Love "Sometimes You Just Can't Win" 1971 — 10: 7 First in the Hearts of Country Music Lovers "Right Won't Touch a Hand" — 7: 10 "I'll Follow You (Up to Our Cloud)" — 13 — George Jones with ...
George Glenn Jones (September 12, 1931 – April 26, 2013) was an American country musician, singer, and songwriter. He achieved international fame for a long list of hit records, and is well known for his distinctive voice and phrasing.
"That's All It Took" is a song written by George Jones, Darrell Edwards, and Charlotte Lynn Grier and originally recorded by Jones as a duet with Gene Pitney [citation needed] on Musicor Records. Jones and Pitney had scored a Top 20 hit in 1965 with "I've Got Five Dollars and It's Saturday Night" and also recorded two LPs together.
"Small Time Laboring Man" did not go completely unnoticed, however; in a Rolling Stone interview in 1969, Bob Dylan was asked what he thought was the best song released in the previous year and he replied, "George Jones had one called 'Small Town Laboring Man'."
I Turn to You (George Jones song) I Was Country When Country Wasn't Cool; I Won't Need You Anymore (Always and Forever) I'll Follow You (Up to Our Cloud) I'll Just Take It Out in Love; I'll Share My World with You (song) I'm a One-Woman Man; I'm a People (song) I'm a Survivor (George Jones song) I'm Not Ready Yet; I'm With the Wrong One
"What Am I Worth" is a 1956 country music song released by George Jones, co-written by Jones and Darrell Edwards. The song was released on January 14, 1956, and was one of the fourteen songs included on Jones' debut album with Starday Records in 1957.
Bluegrass Hootenanny was the second duet album by Jones and Montgomery, the first being the bluegrass-tinged What's in Our Heart.As the title implies, this second Jones/Montgomery collection brings this sound into focus, a departure of sorts for Jones, who was known primarily for his hardcore honky tonk sound and soulful ballad singing.