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The view Cole sought to paint was a particularly difficult one, as its panoramic breadth extended beyond the width of typical landscape paintings of the period. [1] To solve this problem, Cole stitched together two separate views from Mt. Holyoke, creating a synthetic, rather than a faithful, image of the scene. [ 7 ]
Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
18.7 by 26 centimetres (7.4 in × 10.2 in) Princeton University Art Museum, New Jersey [136] Sketch for The Oxbow: 1836 Oil and pencil on composition board 14 by 23.8 centimetres (5.5 in × 9.4 in) Metropolitan Museum of Art, New York [137] Study for The Voyage of Life: Manhood: c. 1837 – c. 1839: Oil on wooden panel
Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
Some of these artists are also considered luminists, a related movement in mid-19th-century American painting that was characterized in the twentieth century. Their paintings depict the Hudson River Valley and the surrounding area, as well as the Catskill Mountains, Adirondack Mountains, and White Mountains of New Hampshire. Note that "school ...
Allusive of the two boys near the fountain in the previous painting of the series, similarly clad in red and green, the discord may have foreshadowed a civil war. We can see the same colors in the red and green banners on different sides of the river; the green banners mostly on the temple side and the red banners predominantly on the palace side.
Asher Durand, Kindred Spirits, 1849 Durand's main interest changed from engraving to oil painting about 1830 with the encouragement of his patron, Luman Reed.In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks Mountains, and soon after he began to concentrate on landscape painting.
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