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Pages in category "Rain in art" The following 11 pages are in this category, out of 11 total. ... Rain, Steam and Speed – The Great Western Railway;
Vincent van Gogh, Rain, 1889, Philadelphia Museum of Art (F650) Rain (French: La Pluie; [1] F650, H565, JH1839 [2]) is an oil-on-canvas painting by Vincent van Gogh, created in 1889, while he was a voluntary patient at an asylum in Saint-Rémy-de-Provence. He repeatedly painted the view through the window of his room, depicting the colours and ...
It was acquired by Walter P. Chrysler Jr. in 1955, who in turn sold it to the Art Institute of Chicago in 1964. [ 11 ] The painting was featured in the 1980 BBC television series 100 Great Paintings , and Paris Street; Rainy Day plays a prominent role in the 1986 film Ferris Bueller's Day Off .
Landscape at Auvers in the Rain is an oil painting on canvas by the Dutch Post-Impressionist painter Vincent van Gogh.. Painted in July 1890, and completed just three days before his death, it depicts a landscape at Auvers-sur-Oise, where van Gogh spent the last 70 days of his life. [2]
The Avenue in the Rain is a 1917 oil painting by the American Impressionist painter Childe Hassam. It depicts Fifth Avenue in New York City in the rain, draped with U.S. flags . The painting is one of six works by Hassam in the permanent art collection of the White House in Washington, D.C.
Rain, Steam, and Speed – The Great Western Railway is an oil painting by the 19th-century British painter J. M. W. Turner. [1] The painting was first exhibited at the Royal Academy in 1844, though it may have been painted earlier. [i] It is now in the collection of the National Gallery, London.
Wheat Fields after the Rain (The Plain of Auvers), July 1890, Carnegie Museum of Art, Pittsburgh, Pennsylvania (F781) Four days after completing Wheat Fields after the Rain he shot himself in the Auvers wheat fields, on July 29, 1890.
Rue Saint-Honoré, dans l'après-midi. Effet de pluie ("Rue Saint-Honoré, in the afternoon. Effect of rain") is an 1897 oil painting by Camille Pissarro.The work was made towards the end of Pissarro's career, when he abandoned his experiments with Pointillism and returned to a looser Impressionist style.
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