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Albatross (instrumental) Alley Cat (song) Amen, Brother; L'amour est bleu; And the Address; Anji (instrumental) Apache (instrumental) Applejack (song) Apples and Bananas (instrumental) Asia Minor (instrumental) At the Sign of the Swingin' Cymbal; Atlantis (instrumental)
The positions of all songs are based on week-end sale totals, from Sunday to Saturday, [4] but pre-1987 the charts were released on a Tuesday because of the need for manual calculation. [5] Since inception there have been more than 1,400 number ones; of these, instrumental tracks have topped the chart on 30 occasions for a total of 96 weeks.
A significant portion of Zappa's discography consists of instrumental works, but many of these could be classified as modern classical or avant-garde music rather than rock. "Peaches en Regalia" (Hot Rats, 1969) "Eat That Question" (The Grand Wazoo) Sleep Dirt (1979 - reissues of this album featured overdubbed vocals on several tracks)
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"Telstar" is a 1962 instrumental by the English band the Tornados, written and produced by Joe Meek. It reached number one on the UK Singles Chart and the US Billboard Hot 100 in December 1962 (the second British recording to reach number one on that chart in the year, after "Stranger on the Shore" in May). It was the second instrumental single ...
Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [1] and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs.
In 1963, trumpet player Al Hirt recorded the instrumental, and the track was the first single from his album Honey in the Horn. It was Hirt's first and biggest hit on the US pop charts, reaching #4 on the Billboard Hot 100 on February 29, 1964 [ 2 ] and spending four weeks at #1 on the easy listening chart in early 1964. [ 3 ]