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The Bauhaus emblem, designed by Oskar Schlemmer, was adopted in 1922. Typography by Herbert Bayer above the entrance to the workshop block of the Bauhaus Dessau, 2005. The Staatliches Bauhaus (German: [ˈʃtaːtlɪçəs ˈbaʊˌhaʊs] ⓘ), commonly known as the Bauhaus (German for 'building house'), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. [1]
After the Bauhaus in Weimar closed, the buildings were used by a number of successor arts-related educational institutions. Today, after various mergers, restructurings, and renamings, the present day Bauhaus-Universität Weimar, founded in 1996, operates on the former Bauhaus site, teaching art, design, and technology-related courses. [4]
The following industrial designers and product designers are among those who are noted for their accomplishments in industrial or product design, and/or who have made extraordinary contributions to industrial-design or philosophy. This list is categorized by the main design movements of the twentieth century.
The first building built entirely on Bauhaus design principles was the concrete and steel Haus am Horn, built in 1923 in Weimar, Germany, designed by Georg Muche. [24] The Gropius-designed Bauhaus school building in Dessau , built 1925–26 and the Harvard Graduate Center (Cambridge, Massachusetts; 1949–50) also known as the Gropius Complex ...
Marianne Brandt (1 October 1893 – 18 June 1983) was a German painter, sculptor, photographer, metalsmith, and designer who studied at the Bauhaus art school in Weimar and later became head of the Bauhaus Metall-Werkstatt (Metal Workshop) in Dessau in 1928.
It was the second largest project ever undertaken by the Bauhaus, after the Bauhaus school buildings in Dessau. [7] [8] [9] The school operated for only three years until the Nazis confiscated it during 1933 for use as a management training school. The building now has historic protection status and it experienced an extensive restoration which ...
Gunta Stölzl (5 March 1897 – 22 April 1983) was a German textile artist who played a fundamental role in the development of the Bauhaus school's weaving workshop, where she created enormous change as it transitioned from individual pictorial works to modern industrial designs.
During his brief time there, he designed two key Bauhaus pieces: his chess set design, and "Owl" or "Eule" in 1922. [3] After his tenure at the Bauhaus, Hartwig continued producing sculptural work and began a brief career in art restoration. [1] During the Third Reich, Hartwig was a member of the Nazi Party. [2]