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Mantelpiece is now the general term for the jambs, mantel shelf, and external accessories of a fireplace. For many centuries, the chimneypiece was the most ornamental and most artistic feature of a room, but as fireplaces have become smaller, and modern methods of heating have been introduced, its artistic as well as its practical significance ...
French ormolu mantel clock (around 1800) by Julien Béliard (born 1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815). Mantel clock from Austria (around 1840), National Museum in Kraków.
In 1882, Halsey designed a mantelpiece for the house at Buckminster Park, then the seat for the Earls of Dysart. It was part of a larger plan for the dining room of the house. The green used was mixed by Ricardo and then copied by Wedgwood as a new jasperware colour. Originally called "peach green," it is now known as "Dysart green," from the ...
The surround consisted of the mantelpiece and side supports, usually in wood, marble or granite. The insert was where the fire burned, and was constructed of cast iron often backed with decorative tiles. As well as providing heat, the fireplaces of the Victorian era were thought to add a cosy ambiance to homes. [6]
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Dog figurines on the mantelpiece. The spaniels were seated in pairs, decorated with a gold chain and locket, and with a creamy white base coat. [10] The Staffordshire spaniel was the quintessential Victorian bourgeois status-symbol ornament: no mantelpiece was complete without a pair of spaniels standing guard.
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